Reject, but if this chart is considered controversial then I'm completely fine with pushing this to an accept (changes recommended) with more practical notes. I like this a lot more than most of the rejected files up to this point, and there isn't much wrong in this chart from a technical standpoint, but my main reservation is that this chart feels like a mish-mash between a non-dump and a dump and I think you can lean more towards the latter at many points, but there's so much more that can be done from a dump standpoint that I don't feel comfortable accepting it as is -- it feels very empty in many points because of the expectations set by the dumped parts.

- I think the 24th jumpstreams are a good touch though I think the pitch shifts can be conveyed a bit more than just a hand. I like the use of 32nds for the loudest pitch shift and you can play with it a bit more. You can maybe do 28ths for 32.223 (definitely the second most significant pitch shift but it's a step down) and maybe 28ths for 33.754 but it might be a pain in the ass to make. You can do similar things for similar sections. It's up to you.

- Some of the vocals outside of the chorus can be emphasised a bit more. Could place a 5-note 24th rhythm from 34.775 to 35.030 to emphasise the backing growls here. 3-note rhythm from 35.669 to 35.796 if you wish as well. I also think that the growls from 36.051 to 36.562 can be emphasised as well, but it's a bit harder to do so. There are probably a few more, we can discuss this further at some point because I'm not really sure myself.

* I feel that more can be done from 1:19.706 to 1:31.965, it's a really empty section for a place with such energetic vocals, especially when the vocalist sings "get down". You did layer the vocals a bit, but I was expecting a more continuous 12th rhythm or more emphasis on the syllables "get down" (12th note minijumpjack or something similar for each? not sure) because they're so pronounced in the song. If you do this, you might also need to emphasise 1:31.199 as full 24ths potentially because you're expressing the vocals in more than just chord layering at that point, but I think that's a smaller issue.

* You should probably add 32nds from 2:15.929 to 2:25.160 for the cymbals -- I know that you intentionally omitted them, but they're pronounced enough and I don't think it would contribute to difficulty very much given how you've layered this section and the song in general.

- You could do continuous 32nd jumpstreams for longer vocals like 2:43.313 to 2:45.467 for variation, but it's pretty minor and I'm not sure how you'd layer this.

* I don't think the 48th burst at 2:51.621 is very fitting given how you've layered the section thus far, you've layered both vocals and guitar additively. I think using bursts for the backing growls would be fine, but that's about it unless you want to redo the last verse entirely.

* Admittedly I found the 97bpm section to be a step down from the sections before it, but I think the last verse is the part that needed the most improvement. The last verse felt particularly empty because the vocals and guitar become more emphatic here and it felt as if more could be done, but I'd be hard-pressed to say what can be done without listening to this song really closely. I also felt that the sections could be harder in general, but there's only so much you can do.

This song is particularly difficult to make a good dump for because of how dynamic the vocals are, so I definitely understand why you didn't make many decisions to include ghost notes in the chart, but it definitely feels as if a lot more can be done in certain sections. I don't feel comfortable accepting it because of that potential, but I think it'd be grossly unfair for me to reject the file from going in because it's "not dumpy enough" -- doubled on by the fact that I don't have any good concrete pointers, so I'll bump up my rating if need be.

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I'm really torn on this. I'm giving this an Accept, but do think of this as Change Recommended flag instead.

I loved the 24th jumpstreams sections on this, they're pretty much in-line on what I'd expect for this entire file, but I'm also disappointed yet also completely understood why the vocals on the second half (particularly the last verse) aren't getting the similar treatment of dumping. I still do think you can dump the vocals in some way that doesn't get in the way of the guitar, but your focus seems to lean towards the main event of that verse, which is the guitar and vocals being the second priority.

There isn't much to say that this is quite close to what I'd call a decent attempt for a dump on this song, admittedly because the song itself is very difficult to make something of a call-and-receive response kind of layering. Not much fault for this song either, so let's see what happens.

Pizza sent me the file before sending his revisions; I think that it's good to go now.