A c i - L :: FFR Batch Submission
Mipha - A c i - L - -45 [7 / 10]
October/November 2021
PublicTokenPurchasedSecretEvents
Released
https://ffr.fandom.com/wiki/-45
-45 blanket permission.

Simfile Folder Name

A c i - L (Mipha)

Note Count

1633

Chart Length

2:27

Average NPS

11.4784

Estimated Difficulty

76.95

First Note

0:05

Ending Note Delay

0:01

Hand Bias

x 31

Framers

0 - 0 1 - 0 2 - 0 3 - 5 4 - 8

Jumps

x 325

Hands

x 27

Quads

x 0

Color Jumps

x 0

Color Hands

x 0

Color Quads

x 0

Most notes in:

1/3 of a Second
8 - 24.00 nps 0.5 Seconds
11 - 22.00 nps 1 Second
21 - 21.00 nps 2 Seconds
37 - 18.50 nps 5 Seconds
85 - 17.00 nps 10 Seconds
167 - 16.70 nps 30 Seconds
479 - 15.97 nps 1 Minute
886 - 14.77 nps

Color Count

x 593 (36.31%)
x 373 (22.84%)
x 11 (0.67%)
x 626 (38.33%)
x 11 (0.67%)
x 0 (0%)
x 0 (0%)
x 0 (0%)
x 19 (1.16%)

Largest Note Gaps

1.5s1.5s1.5s1.47s1.47s1.47s1.47s0.57s
35
28
21
14
7

A c i - L (Mipha) [7.0/10]
> Permission check good.
> Sync looks good (No changes necessary).
> No issues found within simfile properties.
> No issues found within submission folder contents.

-Don’t find anything inherently wrong in the intro here, but I do feel like it’s gonna be played/treated as-if it was from 2012 (meaning, it’s a bit dated in expected patterning).

-[01:00.541 & 01:00.726] Supposed to be 16th jumps rather than the jump on the 4th here as per structure (See: 00:54.615 and 00:48.689).

-I feel like a lot of this chart has its focus specifically on PR, rather than a good PR-to-pattern balance, since there are a couple of sections that suffer because bursts/transitions are expected to play the same, but do not. Couple examples being [01:00.819 vs. 00:48.967], where in this situation the same sort of transitional 24ths are being used and the song expecting similar outcomes but being portrayed here exceptionally different. (One takes advantage of a minitrill in the middle of it, the other one utilizing rolls w/ a right-hand bias.) [01:13.967 vs. 01:15.448 vs. 01:16.930 vs. 01:19.893] is another example, where you have the same pattern musically being used but every iteration of this plays differently.

-If the above note wasn’t direct enough, this comes across as a particularly sloppy yet safe jumpstream. I could see this going in as-is, but I would feel much more comfortable if there was some double-checking happening here since there are many ways to improve this.

[7/10] Changes Recommended.

Permission: good
Metadata: good
Offset: good

PR isn't strictly followed in this ARP section, which is fine, but I feel you should be consistent in how you approach the pitch. (If a sound is repeating like at 4.986 it should probably be on the same column)
Also, when I say a note should be on [insert column] I mean that relative to the notes before/after it, if you end up changing the notes around it this should obviously change with them.

- 3.227 - 3.597: The change in pitch isn't on the 16ths here, it's on the 4ths and 8ths.
- 4.986: This should be on [1] (same pitch).
- 9.615: Should be on [2] (same pitch). (9.801 is lower pitch)
- 12.578: Should probably be on a different column since it's noticeably different in pitch relative to 12.301.
- 15.356: Should be on [3] instead of [4].
- 16.930: This jump has a different pitch.
- 18.690: This 16th has a different pitch.
- 19.338: This 8th jump should form an anchor with 19.523 and 19.703.
- 21.282: This should be on [2].
- 24.338: Should be a different jump.
- 42.023: Should be on [4].
- 44.986: Should be on [4].
- 46.467: Should be on [3].
- 47.671: Part of this jump should be on [3].
- 50.078: Kinda wish you'd put the jump emphasis on this sound here. I feel that's the most natural way to change this section of the chart in accordance to what the music is doing.
- 96.375: This should be 24ths.
- 108.597: Bit subjective, but I feel this is significant enough to include.
- 111.745: Should be on a different column than 111.375.
- 114.708: Different column than 114.338. (You can do this by changing the jumptrill).
- 144.338: Probably shouldn't be a hand, there's no kick on this one.

PR isn't a dealbreaker for me in this file, it's pretty easy to follow what you're doing, but PR should be patterned consistently. If a sound is repeating 3 times it doesn't make sense to have a 2 or 4-note anchor. And that's probably my biggest issue with the file. The jumpstream is fine albeit a bit trill-y.
I feel the file is acceptable, but I urge you to make some changes to the way you anchor stuff. especially in the non-JS parts of the chart. Also misrhythms like 96.375 probably need fixing.

Thank you for the notes.

Almost all (mostly) notes are addressed and there are a couple that I think I feel I owe a bit of explanation for one of the M0nkeyz's notes, which is on 50.078 where I feel like putting emphasis on those sounds plays a bit too heavy-handed that I would've liked, when in comparison to 73.504 for example has more distinctive jumps to represent the sort-of swinging melody around it (and it becomes more apparent on the second additive layering on the section).

I've done my best to reduce most of the anchors down to 3 for most of the 4-note ones, though some might be unavoidable due to the jumps being interconnected to some degree. Let me know if this looks and plays better.

-------------
On a side note, should I change the artist to yoshikawa45, since we already have G e n g a o z o on FFR already?

A new chart file was uploaded with the following changes:
----------
Note Count changed: 1631 => 1632
AVG NPS changed: 11.46439 => 11.47142
Hand Bias changed: 17 => 30

- I can see how you changed 3.227 - 3.597, but I think it would work better with the 16ths at 3.319, 3.504 and 3.690 being on [4], they are all the same pitch and that way the pattern of the 4ths and 8ths is more clear.

- 8.967, 9.245, 9.430 and 9.615 are all the same pitch.
- 18.690: In this situation I would probably put this 16th on [3] and the following jump on [24] so it's congruent with 18.504 -> 18.597.
- 19.338: I noted that this should form a 3-note anchor, but it should probably be seperated from the other 4th/8th notes so it's not a 5-note anchor.

- 50.078: I can see how it would be too heavy with the kicks + 8ths being jumps, but maybe you could make the 4ths singles? Whatever you like best though, it was merely a suggestion, either way is fine with me.

I would probably just use the name the artist used for this song. I know Willrock for example used both Willrock07 and Willrock on certain songs, but I would just PM goldstinger about it.

>On a side note, should I change the artist to yoshikawa45, since we already have G e n g a o z o on FFR already?

Use whatever alias they released the song under. It will link back to the same page on the wiki to credit the same author, but split/show aliases used on their wiki page.

gold stinger's :
Cool, I'll just keep the artist name for now.

---------------------------------------------------------

M0nkeyz's :
Applied everything except 9.615, where the pitch bends a bit and synth came first and foremost, and I don't think I want to form a 4-note anchor as a result.

50.078 is another one that I think this is fine and I like it more as it stands, and playtesting it sounds pretty fair to me.

Let me know if there are anything else worth looking for.

A new chart file was uploaded with the following changes:
----------
Note Count changed: 1632 => 1633
AVG NPS changed: 11.47142 => 11.47844
Hand Bias changed: 30 => 33

A new chart file was uploaded with the following changes:
----------
Hand Bias changed: 33 => 31

I'm going to push this since a fix/comment hasn't been posted in a while, despite no finalization, but appears that a fair amount of work has been done to it under the 'Change Recommended' flag.

Just a quick note - if this gets released, I think the title would be better assigned as "Aci-L" instead of "A c i - L", as I feel it'll be kinda annoying to search this song on the engine (and perhaps the correct metadata as shown here: https://siivagunner.fandom.com/wiki/Aci-L_-_Umineko_no_Naku_Koro_ni).

A c i - L is just directed to the infamous BMS chart of it.