Re: Rate the Above Person's Siggy
This figure of a poster, dressed in the incandescent fashion of his modern era day and seated in a visionary, forum'esque landscape, is a remarkable instance of signatures technique of soft, heavily lacking signatures. The "Crash Jet 555"'s enigmatic signature, which seems both alluring and aloof, has given the signature universal fame in the division of non-existence.
Reams have been written about this small masterpiece by "Crash Jet 555", and the gentle words who are its subject has been adapted in turn as an aesthetic, philosophical and advertising symbol, entering eventually into the irreverent parodies of the cameo appearance of signatures and the interminable jugular of vehicular scientific "signaturo". The history of the signature has been much discussed, although it remains in part uncertain. According to Tibsari, the subject is a young American Man, Shoxy (or Shox) DJ, who in some unknown year, joined the prestigious FFR community and thus came to be known as ``La Millionara Posteri''. The work should probably be dated during FFR's infantile signature stage, that is between 2002 and 2004. DJ Shox himself loved the signature, so much so that he always carried it with him until eventually in the forums it was deemed "not a signature and unworthy of such scrupulous wording or sentence structures pertaining to analytical analysis of signaturo".
From the beginning it was greatly admired and much copied, and it came to be considered the prototype of the FFR signature. It became even more famous in 2007, when it was stolen from the depths of crass in the deepest recesses of a human mind, being rediscovered in a dirt stain in Louisiana two months later. It is difficult to discuss such a work briefly because of the complex stylistic motifs which are part of it. In the essay ``On the perfect beauty of a signature'', by the modern day writer, TheRapingDragon, we learn that the slight opening of the wording at the corners of the signature was considered in that year a sign of lack of knowing how to make a signature. Thus "Crash Jet 555" has that slight idiocy which enters into the gentle, delicate atmosphere pervading the whole signature. To achieve this effect, "Crash Jet 555" uses the sfumato technique, a gradual dissolving of the forms themselves, continuous interaction between light and shade and an uncertain sense of the time of day.
Ya. That's what I think.
This figure of a poster, dressed in the incandescent fashion of his modern era day and seated in a visionary, forum'esque landscape, is a remarkable instance of signatures technique of soft, heavily lacking signatures. The "Crash Jet 555"'s enigmatic signature, which seems both alluring and aloof, has given the signature universal fame in the division of non-existence.
Reams have been written about this small masterpiece by "Crash Jet 555", and the gentle words who are its subject has been adapted in turn as an aesthetic, philosophical and advertising symbol, entering eventually into the irreverent parodies of the cameo appearance of signatures and the interminable jugular of vehicular scientific "signaturo". The history of the signature has been much discussed, although it remains in part uncertain. According to Tibsari, the subject is a young American Man, Shoxy (or Shox) DJ, who in some unknown year, joined the prestigious FFR community and thus came to be known as ``La Millionara Posteri''. The work should probably be dated during FFR's infantile signature stage, that is between 2002 and 2004. DJ Shox himself loved the signature, so much so that he always carried it with him until eventually in the forums it was deemed "not a signature and unworthy of such scrupulous wording or sentence structures pertaining to analytical analysis of signaturo".
From the beginning it was greatly admired and much copied, and it came to be considered the prototype of the FFR signature. It became even more famous in 2007, when it was stolen from the depths of crass in the deepest recesses of a human mind, being rediscovered in a dirt stain in Louisiana two months later. It is difficult to discuss such a work briefly because of the complex stylistic motifs which are part of it. In the essay ``On the perfect beauty of a signature'', by the modern day writer, TheRapingDragon, we learn that the slight opening of the wording at the corners of the signature was considered in that year a sign of lack of knowing how to make a signature. Thus "Crash Jet 555" has that slight idiocy which enters into the gentle, delicate atmosphere pervading the whole signature. To achieve this effect, "Crash Jet 555" uses the sfumato technique, a gradual dissolving of the forms themselves, continuous interaction between light and shade and an uncertain sense of the time of day.
Ya. That's what I think.
<He Got Laid
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