YOUR THROBBING MULTIFARIOUS LUSTFUL DESIRES ARE COMPLETED N YOUR HYPER-ORANGE SELF, YOU MAKE ME LOVE AGAIN, YOU'VE CHANGED MY HEART, MY MELANCHOLIA DISAPPEARS WHEN YOU ARE INSIDE OF ME, MY HUMAN RAGE IS TEMPERED WHEN I AM INSIDE YOU, THE SECRET IS COMMUNICATION, LONGEVITY, STAMINA, REPETITION, FURY, SOULFUL KISSING, EARPLUGS. YOU FUCKING CORPORATE COCKS AND CUNTS.
MY ANXIETY COMPLETE, MY DESIRE REPLETE, THE TASTE OF ORANGE BLOOD AND CUM AND GREENBACKS RUNNING DOWN MY FACE. THE STREETS WILL RUN ORANGE WITH YOUR MIXTURE OF CHEETOS AND HUNDRED DOLLAR BILLS REGURGITATED AND EATEN AND SHIT OUT AGAIN AND EATEN AGAIN.
YOU ARE MY SCULPTURE, MY SCULPTRA, MY SELF-DEFINITION. MY DEFINITION OF HUMANITY, MY HARMONY. MY HEART AND MY MIND.
YOU ARE SO ORANGE. SO CRUNCHY. SO CONSUMABLE.
THE NEW ORANGE UNDERGROUND IS THE ORANGE UP MY ASS. AND YOUR ASS.
Nice filmstudy but the face could've used more definition/refinement since faces are usually a key focal point. Right now it looks like a really rough sketch especially at the nose area.
It's nice to post the reference too so we can compare. Just found the image on google and I can tell the proportions of his face and the overall colors are a bit off.
Nice filmstudy but the face could've used more definition/refinement since faces are usually a key focal point. Right now it looks like a really rough sketch especially at the nose area.
It's nice to post the reference too so we can compare. Just found the image on google and I can tell the proportions of his face and the overall colors are a bit off.
Yeah I really was trying to steer away from lasso moving things around and trying to focus on the contrast and color (to fix my 100% black spam problem).
i like that second one a lot, the red woman, I see improvement in the emotion of your characters. Over the years I've seen your work and while you are very talented, I also feel there's a lack of substance for lack of a better term, or a lack of real personality in your characters. They seem more like figurines. Of course you do very good conceptual work, however as an artist and a big portraiture fan this is my 2 cents, add more depth of character and more variation in their anatomy, lean away from the cookie cutter faces
you are very talented and I am only here to be honest, but it's really still just my opinion. what matters most is what you think ^_~. keep it up !!
Originally posted by ~jrodd
keep ur head up or down whatevers most comfortable idk but ya i repsect u cuz u respect others and we all have opinions to share, so respect one another and keep being urself or someone else watever
Originally posted by ~Tao of Dossar
I never self-reflect, and therefore, I have no negative thoughts about myself. However I am also aware about my successes.
I agree aswell, and I think it's something that can be played with to bring things to yet another level, is painting the emotions in a way that enhances the scene. For the most part there have been depictions of figures who stand triumphantly, ready, and stern, which give a clear impression of a warrior, which I'm sure is something ideal given the scenes they are placed in.
Maybe try drawing someone in the same realm as these characters you favour, but one who is more vulnerable, perhaps just losing something dear, and see what can be done about visualizing what she might be feeling internally, rather than what might be "going on" around her. Many of them usually have to do with what's going on around the character, which is awesome too, but this is just a variation that might be beneficial.
Interesting idea, going to start drilling emotional expressions like what I did with anatomy for a while....
Sketches to practice
Reminds my good old anime drawing days... >.>
btw Haqua from the world god only knows.
Starting things simply with these and move on to details later...hopefully
Dammit I suck at facial expressions :/
I'd steer cleer from using an anime style when learning expressions because anime expressions are horribly stylized. Realistic human expressions have much more subtle details that make the expression what it is.
Unless of course you can build more definition with anime structure, i.e. a more realisticly built face with some anime-like proportions. But the stardard anime style has a lot less to work with and a lot of flatness which makes it less impactful in a still image.
I feel like there can't be the same complexity in most of the anime faces, and it's generally pretty obvious what the face is conveying. I like the idea of having to put yourself into the character's shoes by judging their more subtle facial qualities, it gives a richer experience.
Sure, you can express lots of emotions with an anime depiction, but these are based on real life to begin with, not on anime as basis. The best anime artists are at first, realist artists. From realism you can deduce any style you want, but realism encompasses all the fundamentals AND details that occur in real life that you can later stylize at your own will when you have a proper and deeper understanding of these fundamentals and details.
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