I don't know who could possibly do this well... but I was thinking of a song specifically designed to be the "bad boy" of FFR. This song probably wouldn't be able to be made untill FFR implements BPM changes, or only if each song was at a constant tempo. The songs below can be used for examples on how to do it:
Classic 2 - *removed*/classic2(rc).mp3
Classic 4 - *removed*/classic4(concertare).mp3
Classic 8 - *removed*/classic8(linetimes).mp3
Basically, all or most of the songs that have tempo changes (Revolutionary Etude, One Minute Waltz, etc) would just be one constant tempo, and a live performance would not be used (it would all be done electronically to ensure being onsync and constant)
The songs used would be (in no specific order)...
Rondo Alla Turca
Revolutionary Etude
Minute Waltz
Flight of the Bumblebee
Winter (first movement)
Summer (third movement)
William Tell Overture (finale)
Csikos Post
Pathetique (third movement)
Moonlight Sonata (third movement)
blur (first 12 seconds)
Here are midis of all the tracks in a zip file: *removed*/classicmedleymidis.zip
Classic 2 - *removed*/classic2(rc).mp3
Classic 4 - *removed*/classic4(concertare).mp3
Classic 8 - *removed*/classic8(linetimes).mp3
Basically, all or most of the songs that have tempo changes (Revolutionary Etude, One Minute Waltz, etc) would just be one constant tempo, and a live performance would not be used (it would all be done electronically to ensure being onsync and constant)
The songs used would be (in no specific order)...
Rondo Alla Turca
Revolutionary Etude
Minute Waltz
Flight of the Bumblebee
Winter (first movement)
Summer (third movement)
William Tell Overture (finale)
Csikos Post
Pathetique (third movement)
Moonlight Sonata (third movement)
blur (first 12 seconds)
Here are midis of all the tracks in a zip file: *removed*/classicmedleymidis.zip


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