Re: Cherry Petals in the Wind
Well I don't agree with your views, but I'm trying hard to respect them by exploring this argument.
What I meant in my first statement is the concept of association: back as a young child with an impressionable mind, you formed for yourself all the associations for all of your senses. You associated, based on social patterns and other cultural situations, what sounds good or bad, or even what sounds "like a bird" or "like a train". It's a process that everyone does as their brains develop. It's the process, and you can blame Hollywood almost entirely for this one, for why certain music sounds "dramatic" or "scary" or "action-packed". The point I was trying to make is that in order to critique someone's work, you often have to ignore these associations because they are culturally implanted and as such aren't really your views, but the views of the society that bred you. This is why its important to try and understand the perspective of the artist, because the artist (based on the concept of art itself) is trying to comment on something, and very often that comment would not be clear to the society that bred you.
And personally, as an artist, I have very little concern for the three questions that you posed. The three questions you asked place the importance of music creation on the audience or in other artist, rather than in the pursuit of one's own true personal expression. I think Kurt Cobain is crying in heaven right now.
Well I don't agree with your views, but I'm trying hard to respect them by exploring this argument.
What I meant in my first statement is the concept of association: back as a young child with an impressionable mind, you formed for yourself all the associations for all of your senses. You associated, based on social patterns and other cultural situations, what sounds good or bad, or even what sounds "like a bird" or "like a train". It's a process that everyone does as their brains develop. It's the process, and you can blame Hollywood almost entirely for this one, for why certain music sounds "dramatic" or "scary" or "action-packed". The point I was trying to make is that in order to critique someone's work, you often have to ignore these associations because they are culturally implanted and as such aren't really your views, but the views of the society that bred you. This is why its important to try and understand the perspective of the artist, because the artist (based on the concept of art itself) is trying to comment on something, and very often that comment would not be clear to the society that bred you.
And personally, as an artist, I have very little concern for the three questions that you posed. The three questions you asked place the importance of music creation on the audience or in other artist, rather than in the pursuit of one's own true personal expression. I think Kurt Cobain is crying in heaven right now.



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