- offset’s fine
- 3.417: all snare hits here but it ascends, so a trill is acceptable but not the most representative of the instrumentation
- 4.917: this is also a kick like the [LR] at 4.781; while it is slightly pitch-shifted upward and does have a somewhat distinctly different sound, the more apparent issue is that it uses a [DU] like the previously well pronounced snare
- 7.508: the piano plays a grace note a 24th note later
- 10.235/12.690: these repeated gabber kicks are much stronger than everything else and are also fairly isolated; it might not hurt to use some triples here in situations where there are no other notes around -- you could also opt into giving the piano some attention here as well since it’s a bit heavier accented at times
- 15.008: no kick/snare here -- according to your layering structure, this jump should not exist
- 16.962: this 12th note feels a bit off; the other 12ths/24ths make sense given that you’re trying to accent the isolated piano with no other percussion, but when it returns, this second note doesn’t quite follow anything clearly
- 18.417: rhythm’s not quite right here; not the most noticeable thing in the world at full speed but it was enough for me to slow down and check to see the slight inaccuracy
- 18.900: colored notes? not sure what the intent is here; if it’s for the overtoning (the buzz changing), it’s not quite correct, because the buzzing is si mply the same sample played at four different excessively high speeds -- you might do better off having some roll/spin alternations (4321/4312/3412/3421) to accent it better
- 19.371: this bass swell is pretty noticeable
- 22.144: this note is slightly early
- 22.508: another piano note, 5/96 before this 4th
- 36.417: given how chaotic this is musically, focusing on the kicks but leveraging the melodic accent for jump placement was actually a really well thought idea, solid decision-making
- 37.167: this note’s pretty tough to accommodate for, even when the song is slowed down
- 38.326: this transition is a pretty big difficulty spike
- 41.167: pitch relevance could definitely be improved in this area
- 44.871/45.281: could use a colored accent here to separate these two overtones from the more normal hit at 45.690
- 46.644: given that this fades, it might be worth tapering this burst down to 24ths starting here, or even stopping it after 5 notes
- 49.326: technically a ghost note; the burst starts at 49.371 and is 32nds
- improvable in terms of structure

Thanks for the notes