Kippo Misses His Girl (Ultimate Mike7) [6/10]
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- 0:02.577 I get that these sounds are descending, But each group of 4 notes is different, so you should really try and find a more interesting way to represent that than just 4321 on repeat. you could try different patterns like 4321 4231 4132 or any number of possibilities which keep that downward trajectory while keeping the notes interesting.

- 0:18.327 Again latching on the earlier issue with the 4321 There comes a point where you focus on PR too hard. Following the music is cool and all, but playing the exact same pattern over and over and over again... it just gets boring, and comes off as the charter being lazy and just copy/pasting the section to get it over with. Thats why its important to switch things up, and not just follow a strict PR template.

- 0:18.577 why is this jump here? I really cant hear any reason to add another note here. If there is something its VERY quiet and honestly too quiet to have an extra note.

- 0:21.077 PR is cool and all, but you really need to watch out for accidentally creating patterns like this. a 3 note jack like this implies that SOMETHING is there for the notes to be representing, but it just isn't.

- 0:35.577 Why is this jack here? what PR does it follow? I could understand if it was the bass, but then you completely ignore notes like 0:34.577

- 0:37.577 i'll be honest repeated 321 432 321 432 is very uninteresting. you have so many options of notes to choose from that i'd rather see something more interesting. I'll also note that you completely drop the layering here. I would understand if it was to avoid spiking the difficulty of the chart, but the end has so much density it really doesn't make sense.

- 0:39.577 I'll be real, the sound here is barely audible if its even there to begin with. There comes a point where a sound gets quiet enough that you really should just stop charting it. The quieter the sound the more it feels like mischarting.

- 0:45.577 I'll be real, this is some hard left hand bais that really doesn't need to exist.

- 0:50.327 This is QUITE the jump in density.

- 0:50.827 This is another big example of jacks creating patterns that don't exist. This is especially an issue if you want to actually pattern jacks to specific sounds in the music. How am i supposed to know what jacks are intentionally representing something in the music and what jacks just exist because they do.

- 0:52.577 I'll be honest when you're dense in a section like this, Having jumps on sounds like this when they aren't overlapping with the melody can be a bit confusing. I think its best when a sound largely overlaps with another sound you are layering to either add to the layering (jumps > hands) or just ignore the notes not on the melody. It makes the layering a lot clearer to follow, and often leads to a more intuitive density scale.

- 1:08.077 the rhythm here is just blatantly wrong.

- 1:19.077 These notes are clearly two different pitches. dont blindly copy/paste patterns.

- 1:22.077 hey look its that earlier section but denser. But i'll be honest. i have NO CLUE what any of these jumps are supposed to be following. They just feel too randomly placed. Either the sounds you are following just aren't that clear in the music or you are intentionally dumbing down the layering way too much. whatever the case, the layering here just doesn't make any sense. It just feels like random jumps.

- 1:38.327 The big issue with how dense you layered the last section is here we ADD to the song, which logically leads to a REDUCTION in density of the chart. you see the issue here?

- 1:57.577 Hello Consistency issue.

- 1:57.952 missing percussion 16th

- 2:08.702 what sound is this note even going to? Its so quiet. You dont need to chart ever little sound you hear in a song.

- 2:38.077 why is this suddenly not a trill?

Honestly i Believe a large issue in this chart is focusing TOO hard on PR. its cool to add PR to a chart and it can often lead to a better more engaging file to play, But if you overuse it, you get a stiff file, which gets very repetitive. Forcing your chart to have exact notes in a specific spot because the same sound had the exact same note placement causes issues when layering and leads to a lot of those awkward jacks that just kind of exist in the chart. Those jacks take away from the ACTUAL intended jacks.

Judge Score: 6.00 - Rejected