Permission good (blanket)
Sync good
Metadata good

- Make sure that the notes are not erroneously omitted or placed, and that the layering is consistent. Although not every single sound is mandatory, at least the audible ones should be accounted for in charts like this. It often helps to slow down to various rates.
- While the chart consistently poses a challenge, the peak difficulty comes from awkward patterns like giving too much pressure on one column or hand. For example, 6.838-8.087 has a long anchor on column 4 for no musically relevant reason. That one's easy, but there are worse instances like 23.588-24.088 which rather feels like RNG to hit.
- And then, the next peak difficulty comes from awkward minijack transitions. Minijacks at this BPM range should be handled very carefully; watch closely near the minijacks so that transitions into or out of them are not too overwhelming. For example, 36.588-37.713 starts of with a minijack out of a jumptrill, which is already extremely hard to hit correctly, and then immediately follows with tricky 8th hand control of 1[12]2[12].

For a more detailed feedback for the first few seconds, as an example:

- 2.588-2.838 is the same repeating sound in 0.088-2.338, so should be an 8th jump followed by 16th singles, preferably [12] 43[12] to represent repetition
- 3.150: missing
- 3.838: is a marginally different sound from 3.692 so should be on a different column (and potentially a jump)
- 6.150: missing, compare with 6.275
- 6.338: not minijack
- 6.525: a gap in the middle of a roll...?
- 6.838-8.087: see comment above regarding anchors
- 10.713-11.588: this is too much, another column 4 anchor followed by that 11.213-11.588 thing which is simply too dense. Ending a roll with a [14] tends to play awkwardly as well
- 11.275 has no sound
- 12.588-12.713: same issue as 2.588-2.838
- 14.400, 14.650 missing
- 14.463, 14.713, 14.963 are the same instrument but only the first is a hand. The hands at 14.588 and 14.838 are much less louder; in fact I would step them as singles, put in a missing 14.650, and turn 14.463, 14.713, 14.963 to hands
- 15.338, 15.400 missing
- 15.588-16.088: the pattern doesn't quite depict what's happening in the music, especially since 15.588 and 15.963 are the same sound

The issues persist through the rest of the chart, but to highlight a few:

- 40.900-41.088: right hand is ??
- 55.588-56.004: two jumps in the middle of the roll...?
- 1:03.900-1:04.337: column 3 has too much pressure
- 54.088-1:04.337: actually, this whole section is too spiky due to its overbearing use of minijacks. Most of those minijacks are not musically justified either
- 1:52.025-1:53.088: there's a contrasting silence between the break sounds, but the chart doesn't reflect that. The right hand also ends awkwardly as 34[34]
- 2:17.088-2:22.088: not musically strong enough to warrant this amount of jumps. A simple jumpstream feels apter
- 2:44.588-2:45.963: very heavy on the left hand

Overall, the idea is there, but it needs more attention to detail and playability to make it truly shine. This difficulty range of 100+ is notoriously hard to get right, so something easier might suit most people's first file. If you still wish to pursue this song though, I recommend taking a look at similar FFR charts like J-CORE SLi//CER Technique and Dark Side, focusing on how various musical quirks such as repetitions and emphases are represented in the chart, and how it transitions into and out of minijacks and bursts.

Judge Score: 4.00 - Rejected