SHA (Lights & BDM) [7/10] -FR-

PERMS OK
SYNC NOT OK (Off by roughly one 64th/22ms, judging this with an offset of -0.071)

16.375: Maybe (13) here would alleviate col 2 a bit.

18.657: Unclear why these 32nds are here and not at 18.494 where the sound peaks.

20.940 & 21.429: These two should probably be (14) or something different than the (13)s.

22.571: Fun motif these one-sided white notes to this "scratchy" sound.

23.875: Consider making this a single to help represent the rising 8ths' start.

27.788: PR here isn't ideal, these consecutive 8th jumps dont really match the 16th at 27.543.

28.766-29.337: This abstraction feels quite random.

30.668: Fine as is but could really do without this note for a better transition.

35.025: Could use another 64th colored note here as this one also slides.

38.664 & 38.759: Highly suggest removing these two. They feel much too continuous for what is basically a dead stop in the song.

53.087 & 53.141: Can also remove those. If not both, at the very least the latter.

1:01.701 & 1:03.005: Could be argued that these subtle hihats aren't necessary in this already dense section with lots of minijacks.

1:02.027-1:02.679: This part is really straining. Right hand essentially has two 3-notes 16ths jacks, and left hand has (12)211. Surely this can be made friendlier just by shuffling the patterns.

1:03.250: PR, this note is lower than 1:03.087.

1:05.369 & 1:05.614 & 1:05.859 & 1:06.103: Similarly to the concern at 1:01.701, these really amp up the difficulty for just very subtle sounds. The 4th and 8th at 1:05.614 & 1:05.859 can be argued given that there's the audible piano, but even then it feels muddy to layer that when the playing focus is definitely on the minijacks and the sound they go to.

1:07.734: Bit early, should be on 1:07.774.

1:08.467: Here this hihat could be added since nothing else is the main focus.

1:09.853-1:10.505: This abstraction is too much. Not every sound needs notes. Similar issue than 38.664 but this time it's just a full stop with very small oscilations; just keep this empty.

1:15.071: Don't need these 24ths. More subjective but still spiky for what it is.

1:32.190: (23) for PR.

1:32.924: There should be a 16th here to bounce with 1:33.087. The 24ths don't make sense and the 4th shouldnt minijack with the following 16th.

1:33.494: Bit rude to have this on col 2, left hand does 221 2211 from 1:33.168. Could put these on col 3.

1:33.821: This is another prime example of an abstraction not helping the representation. Sure as an isolated sound it works, but here the jump at 1:33.984 is so impactful in the song and this abstraction simply drowns it in a continous stream. By fixing the prior minijacks with lets say 33112 and removing the green notes, the jump and 24ths gain so much impact.

2:15.723: Wow brave layering decision these slow poly jacks. Seems to work nicely somehow.

Interesting chart with some neat ideas. While there's a lot of things to fix and polish, there's not really anything egregious. An FR is due for the sync and a decent cleanup at the very least.

Judge Score: 7.00 - Fixes Required