Accept, was debating between accept and FR but I enjoyed playing through this. I generally didn't think that the violin was very dominant in this chart at all (this seemed mostly vocal-oriented with background noises auxiliary) and it seemed very linear in structure, albeit quite heavily done in general. But I didn't think that the heaviness of the chart really detracted my experience from it much after keeping some mental notes in my head. Some of the minijacks in the chorus do feel arbitrary but I didn't think that they were unfitting or anything, so I thought that they were fine.

- 6.385 could use a minijack if you want for the 16th violin, minor though.

* I think my main reservation with the chart is how you layer some of the vocals here -- mostly syllables like 19.022/33.022/34.567, where the rhythm just stops. You can probably fit a 16th after them and the syllables will probably be felt out more concretely -- as is it feels as if the song stops when there are pronounced vocals going on.

This is a prevalent issue throughout the chart where I think the chart could've afforded to have more continuous rhythms (even slow ones like 16ths) for held vocals throughout. Some obvious exceptions would be like 1:02.295, where the emphasis is clearly meant to demarcate the end of a phrase. The first half of the second chorus is also an exception because the empty space is meant to differentiate it from the first half of the first chorus.

- Could have a continuous 16th stream from 26.840 to 27.204 for the held vocal here, feels a bit empty as is.

* Not sure what the burst at 36.113 is going to, feels pretty unnecessary.

* Not super fond of the burst at 42.007 (and similarly 1:33.274) because they don't seem to go to anything strong enough to justify a faster burst. I think keeping a continuous 24th rhythm is fine. Similarly for 1:33.274, but I'm not sure what can be layered here. The light knock sound?

- I think there should be a faster burst at 51.385? The gap between this and the grey notes is a bit offputting.

- The strongest part of the violin ntoe at 1:36.920 is 1:37.011, so I think the burst should start at 1:37.011 instead of 1:36.920, but I get what you put the burst there.

The entire chart is very heavy-handed, but at the same time it still feels as if the song is being followed quite well. I think that takes quite a bit of acumen and you've definitely shown that you're competent at making dumps here, so I don't have any issues accepting this. That said, I do feel that the chart can be improved further by filling up some empty space in the chart.

Putting this as an Accept for me.

You know, I think I like this file more than The Ballad of Mona Lisa since the dump here feels more justified to a point where heavy layering like this can be scrutinized less with how continuous the vocals and violins are.

-36.173 - can delete this note, this feels way too faint to be even followed.
-*42.075 - You might need to move this note somewhere else, as it creates an uncomfortable anchor over that 24th stream transition.

This is quite fun to play, though some might not agree with this kind of layering, but it follows the song pretty well, so it's a decent addition to the dump catalogue for sure.