Good Piece for FFR?

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  • setsanto
    FFR Player
    • Apr 2007
    • 33
    #1

    Good Piece for FFR?

    So, I have an idea for an FFR piece. I have many times seen Tass's frustration on this forum at not having enough endurance + hard songs on FFR. So, my suggestion is Carneval de Venise by Genin. Anyone who plays flute at a high level will know what I'm talking about. its 13 minutes long, so it could be broken into 2/3 parts. Its a theme and variations piece. It has two variations that could be crazy streams, and the very last movement is jack heaven. I fail at stepping, so if anyone wants to try it, I can supply an MP3. Below is a pic of the last variation. There's about 12 32th notes in every seccond, or about 90 BPM.



    I have no idea if that is legal xD.

    ~Setsanto
    Tags: None
    • Xandertrax
      om nom nom
      FFR Simfile Author
      • Sep 2005
      • 1495
      #2
      Re: Good Piece for FFR?

      Um. The piece is a bit too dry to make a good file, and it'd be hard as heck to sync.

      Maybe a few select variations merged together.

      Genin lived in the 1800's, so permission isn't a BIG issue.

        Comment

        • setsanto
          FFR Player
          • Apr 2007
          • 33
          #3
          Re: Good Piece for FFR?

          I know it's not crazily catchy, but it would be a tough file.

            Comment

            • MooMoo_Cowfreak
              Abraxas Hydroplane
              • May 2006
              • 1746
              #4
              Re: Good Piece for FFR?

              I've tried to play this before. Freakin hard.

              I dunno if it would be the greatest song for FFR. It would just be intense, but not fun, like Revo.
              Originally posted by hi19hi19
              dumps abstractly represent the song with arrows

              post-dumps abstractly represent the existential nihilism that the song invokes in the listener with negative space, evoking the ephemeral nature of the mind - the journey of stepmania begins in hope yet soon becomes corroded into a dialectic of futility, leaving only a sense of dread and the unlikelihood of a new synthesis

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