- 4.523: PR on this anchor is pretty weird. If nothing else the minijack at 5.523 should be moved to a different column, because the guitar note is significantly lower there.
- 13.223: missing note (why 13.123 but not this?)
- 52.523: feels strange to me that this is a straight jumpjack when you're also following PR for the guitar
- 59.323, 72.123, etc.: Lower than the other two hands
- 84.123, 90.323: why the repeated jump? you've been distinguishing the kick and the snare before
These I all agreed with and changed as mentioned

- 28.673: this is honestly so hard for me to hear, highly recommend removing it since this is one of the denser parts of the chart anyway and it's so much more obscure than everything else here
I don't think I'm removing this...there were a lot more guitar notes in this area from the pitchbending. The 2 32nds in this area are quite minimal representation as it is and I feel dirty not including them |:

- 53.723: Should be a jump like 54.523
- 54.823, 61.223, 67.623, etc: No jump here, but jumps at 56.423 & 58.023?
- 57.723: Sounds like the guitar is on the next 32nd, making this a flam like 8.923.
----> A general note about this section, the jumpglutty things e.g. 56.323, 62.723 and such feel very awkward and difficult for the sound. This is definitely not the most intense or energetic part of the song, yet it has imo the hardest patterns of the whole chart. I suggest either making them all mini jumptrills or omitting the jumps on the 16ths consistently. The next couple notes are given assuming the current structure.

This is a fair argument. On a difficulty scaling level I disagree this has the hardest patterns in the whole chart (the handstreams later on are imo) but I can agree with them deserving to be even more relaxed.
All 16th jumps in this section have been removed, so jumps only fall on 8ths or 4ths when the guitar plays 3 16ths *except* for the 16th near 57.723. This is an isolated instance of the guitar playing 2 16ths, not 3.

- 68.123, 68.223: Missing jumps, see the triplet at 68.723.
Filled in

- 90.723 section: The minijacks have a strong right hand bias starting here, and it feels like this could pretty easily be corrected by bringing things like 93.923 onto the left hand. The minijack section at 14.523 has a similar issue, but with left hand bias; I didn't notice it so much there, but that could definitely be my own handedness bias. It's fine if this is intentional, but I thought I'd point it out.
In this section, the bass guitar playing minijacks actually gets cut off by the handstream each time, instead of the similar section earlier on when each musical phrase was allowed to play to its fullest.
I wanted the player to feel that, so I moved the minijacks per melodic phrase from 2244/1133 to 3344/1122. That's why there's a hand bias, since only the right-hand jacks get played fully each time :p In terms of being nice to the player, this isn't it, but this is how I think the music is best "felt" here.

I did move one minijack at no cost to the left hand.

- 103.323: This section is very nice
- 110.023: Minijack should begin here and end on the 4th
The 3 notes here are technically all minijacks starting from the 16th you mentioned to the 16th after the 4th...I didn't actually want a 3-jack here though so I just picked the one that would allow a continuous stream of notes visually while balancing out the hands (since there is a rh jack at 1.49.723)
- 116.523: This lone minijack off a hand feels out of place
Oops, there was a [34] here. how could this happen to me

- 121.323: This is early; the "kh" comes in ~121.398, but the actual syllable is on the 8th
Moved it to the 16th you mentioned, 8th feels too late to me

Fixes based on the notes.
----------
Note Count changed: 1378 => 1380
AVG NPS changed: 10.32725 => 10.34224
Hand Bias changed: -26 => -24

A new chart file was uploaded with the following changes:
----------
Note Count changed: 1380 => 1386
AVG NPS changed: 10.34224 => 10.38721
Hand Bias changed: -24 => -26