Tough It Out! :: FFR Batch Submission
qrrbrbirbel -
Tough It Out! -
DaMonz, Trainbeat [4.25 / 10]
100+ Difficulty Batch
PublicEvents
Rejected
Simfile Folder Name
Tough it Out! (qrrbrbirbel)
Note Count
2490
Chart Length
3:05
Average NPS
13.6289
Estimated Difficulty
99.18
First Note
0:02
Ending Note Delay
0:01
Hand Bias
Framers
0 - 0
1 - 2
2 - 182
3 - 109
4 - 31
Jumps
Hands
Quads
Color Jumps
Color Hands
Color Quads
Most notes in:
1/3 of a Second
13 - 39.00 nps
0.5 Seconds
15 - 30.00 nps
1 Second
24 - 24.00 nps
2 Seconds
45 - 22.50 nps
5 Seconds
99 - 19.80 nps
10 Seconds
189 - 18.90 nps
30 Seconds
498 - 16.60 nps
1 Minute
921 - 15.35 nps
Color Count
Largest Note Gaps
0.67s0.57s0.33s0.33s0.33s0.33s0.33s0.33s
Posted at 3:49pm on July 31st, 2021
TC_Halogen - 4.5/10
- offset is good
- what dictates the length of pattern repetition in the opening?
- 15.782: not sure what the purpose of the minijacks is here
- 19.865: this intermingling 6/4 poly is not only poor pattern distribution, but also doesn’t really have much that makes it worth utilizing
- 26.282: another out of place minijack
- 29.865: two different sound textures probably means these bursts should be accented with different rhythms -- additionally, the structure of these is creating a 24th note minijack, or 270 BPM 16ths
- 32.198: this burst is unnecessarily abrasive given the sound it follows
- 34.198: not really a well defined reason for a three note jack
- 40.698: what is this repeated 16th jump for?
- 45.948: the 16th should likely not be connected given that the repeating sound starts after the jump, but more importantly, the right hand stress is very extreme there
- 54.698 to 1:14.698: I understand the purpose of the minijacks here, but the spreading out of those minijacks makes them seem a lot more randomized; breaking the stream idea here might be good because it’ll give the players something a bit better to focus on and make the chart drag on less, as the next section is just more extended streaming
- 1:14.698 to 1:22.698: not fond of the layering switch in the middle of the phrase like this
- as arbitrary at the stream patterning is, it could have likely been shifted about to better accommodate for melodic representation with the jumps that are following the non-percussive elements, especially looking at something like 1:41.365 to 1:46.698
- 1:55.809: tremendous spike in difficulty when considering not just the 24ths but also the 16th minijacks as well
- 2:08.782/etc: missing note (consistently so)
- 2:23.365/2:26.032/etc: that’s quite rude, both being in a break section but also in the closing of the song
- 2:29.532: …
- at this point, not much more to say as we get a redundancy in minijacks
- file needs work structurally and difficulty is not particularly well controlled
Posted at 3:49pm on July 31st, 2021
Wiosna - 4/10
intro patterns vary up for very little reason at points, i don't mind the repeated patterns gimmick, but i do think that any change in iteration should be justified with some musical cue
19.865 - these polyrhythms are pretty excessive
25.865 - this is a pretty rough transition given the 32nd
26.282 - minijack shouldn't be here, should be on 26.365
26.948 - minijack should start on the 64th
29.865/30.032 - two different buzzes, bursts should be different. also these bursts are too hard.
34.198 - having a 3 note jack here is pretty unnecessary
34.532/34.698 - missing emphasis
35.261 - having a minijack here is excessive
35.532 - missing emphasis
36.365 - very underemphasised here
37.032 - there shouldn't be a minijack here
44.698 - really uncomfortable to hit
45.948 - jump should be on the 16th, also not sure about this jack
Interesting concept, but the jump usage is all over the place, and a lot of the bursts throughout the entire chart in this just aren't consistent in itself. There are a few very loud sounds that correspond to very short bursts, and some super soft sounds that correspond to bursts that are just as long and maybe harder pattern-wise. The bursts are also pretty uncomfortable and just really awkward to hit since you're just hitting straight quads or 360bpm 16th flams most of the time. The minijack use in the chorus is fairly arbitrary though I can tell that you're trying to follow the melody fairly vaguely. Regardless, the minijack use has to be a bit tighter there because it’s extremely hard to tell what most of the minijacks are going to.