Mystical Wheelbarrow Journey :: FFR Batch Submission
klimtkiller -
Mystical Wheelbarrow Journey -
cardboard box [5.5 / 10]
100+ Difficulty Batch
PublicTokenPurchasedEvents
Rejected
Simfile Folder Name
Mystical Wheelbarrow Journey (klimtkiller)
Note Count
2233
Chart Length
2:15
Average NPS
16.8274
Estimated Difficulty
102.64
First Note
0:03
Ending Note Delay
0:01
Hand Bias
Framers
0 - 0
1 - 0
2 - 1
3 - 214
4 - 403
Jumps
Hands
Quads
Color Jumps
Color Hands
Color Quads
Most notes in:
1/3 of a Second
12 - 36.00 nps
0.5 Seconds
17 - 34.00 nps
1 Second
28 - 28.00 nps
2 Seconds
51 - 25.50 nps
5 Seconds
117 - 23.40 nps
10 Seconds
234 - 23.40 nps
30 Seconds
700 - 23.33 nps
1 Minute
1287 - 21.45 nps
Color Count
Largest Note Gaps
0.8s0.47s0.47s0.47s0.47s0.43s0.43s0.4s
Posted at 12:38am on August 11th, 2020
A new chart file was uploaded with the following changes:
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Title changed: unknown => Mystical Wheelbarrow Journey
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Posted at 9:44pm on June 22nd, 2021
TC_Halogen - 5.5/10
- offset is good
- concept in the intro is… ok? layering occasionally makes things quite heavy but I do respect what you were going for in this case
- 21.827: why does the roll break apart here?
- i’m not much of a fan of the 32nd stream here; the patterning is just kinda plain and doesn’t give a huge amount of attention to detail with respect to melodic repetition, likely for the purpose of keeping it fluent -- there are some instances of attention to the descending scales, but overall it’s just kinda meh
- 1:03.141: this reduction in difficulty is very counter-intuitive; with the chiptune melody actually being an unbroken 48th note stream, you could afford to smooth the difficulty curve by utilizing 24ths the entire time and just leveraging a different layering structure as opposed to forcing it out the first time
- 1:31.941/etc: if the idea is to retain the previous layering structure while adding the 24ths on top, it’s not quite doing it properly; jumps feel like they’re missing in the first instance as later instances have 12th jumps for all of the notable melodic elements as opposed to arbitrarily being left out
- 2:09.434: breaking your own call-and-response concept here with the white note patterning being different than the properly colored one
- the structure on this is a bit off putting to me, mostly because of the massive 32nd stream being used and transitioned into something substantially easier for no real reason
Posted at 9:44pm on June 22nd, 2021
Wiosna - 5.5/10
12.627 - not really big into the idea of layering both of the melodies together, it's really hard to follow what's going on in this section exactly
21.313 - you can definitely do something more varied than just a 48th roll here
a lot of the 32nd stream is mostly arbitrary so i won't say much there. i can definitely see some effort in making some of the streams descending based on the descending synths which i do appreciate, but the streams are mostly designed for playability more than anything here. it's fine, but nothing notable
1:03.141 - this is a weird decrease in difficulty because the synths are still very notable and there's an additional melody here. you can probably get away with using a dense 24th JS here instead of a stream, though i know that you patterned this with 12th minijacks to give this more accenting power. i just don't think that it's quite enough
1:14.455 - why is there a minijack here?
really not fond of the 24th jumpstreams at the end. it's really hard to tell what they're going to, the patterns are unnecessarily difficult, and i don't think that they really fit the section. a lighter approach would be a lot better here, but that'd also mess up the difficulty curve of the chart. the parts with just 12ths should be all doubles as well given your layering approach.
For a chart as simply structured as this, I do think that you have to get the core elements of the chart bang on. There are, however, a lot of sections here that I was really uncertain about, and the main section of the chart is just okay. All in all I can't quite say that this is something that I'd accept in any case.