- offset is good
- 33.183: missing minijack
- 45.212/45.298: missing notes for that sound you’re following a touch earlier
- 46.501: I hear what this minijack goes to, but it doesn’t seem to be represented in entirety within the structure, so it might be better removing from it (this was an issue with the previous submission as well)
- 1:07.637 to 1:29.632: this section is still convoluted in terms of layering/accenting:
------ some of it is a byproduct of strange patterning; most instances of singles occur when there are consecutive 16th note bass kicks and are typically accompanied with minijacks, but the minijacks are inconsistently applied (see: 1:11.933 and 1:17.431 as instances of 8th minijacks that would be more arguably correct than others)
------ there are numerous instances of lone kicks getting accented as jumps, but equally others that simply do not gain any representation (accented: 1:08.238, 1:10.902, 1:13.737/1:13.909, the latter of which is a good representation; not accented: 1:09.527, 1:11.159, 1:12.276, etc)
------ the chimes which appeared to be represented before, don’t appear to be properly handled anymore, which might also be as a result of the layering being a bit convoluted (see: 1:12.448, 1:13.823)
------ all in all, this section just seems to still miss the mark on an accenting front; it’s not clear and doesn’t correspond to the song as well as it could
- 1:35.818: given the note at 1:33.069, which is a triple for a lone chime, this might need to be emphasized better (this was missing in the previous submission so having it here is good, it’s just an inadequate accent)
- 2:21.870 to 2:24.620: note for note the same as the previous submission; jump structure here doesn’t feel correct against the percussion
- 2:24.620: burst doesn’t really emphasize anything; it’s very literally just 16ths for percussion
- file isn’t improved in the sections that really matter; structure is still fairly inconsistent in spots