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The Phoenix :: FFR Batch Submission
TC_Halogen -
The Phoenix -
Lindsey Stirling [8 / 10]
Easy Files
PublicPurchasedEvents
Released
Lindsey Stirling is a blanket FFR permission.
- The sim folder name isn't as expected: "The Phoenix [TC_Halogen]" vs "The Phoenix (TC_Halogen)"
Simfile Folder Name
The Phoenix [TC_Halogen]Note Count
774Chart Length
2:45Average NPS
4.765Estimated Difficulty
39.01
First Note
0:03Ending Note Delay
0:02Hand Bias
x 18
Framers
0 - 0 1 - 0 2 - 0 3 - 1 4 - 1Jumps
x 76
Hands
x 0
Quads
x 0
Color Jumps
x 0
Color Hands
x 0
Color Quads
x 0
Most notes in:
1/3 of a Second6 - 18.00 nps 0.5 Seconds
8 - 16.00 nps 1 Second
12 - 12.00 nps 2 Seconds
20 - 10.00 nps 5 Seconds
43 - 8.60 nps 10 Seconds
81 - 8.10 nps 30 Seconds
218 - 7.27 nps 1 Minute
349 - 5.82 nps
Color Count
x 343 (44.32%)
x 218 (28.17%)
x 8 (1.03%)
x 122 (15.76%)
x 13 (1.68%)
x 3 (0.39%)
x 1 (0.13%)
x 2 (0.26%)
x 64 (8.27%)
Posted at 9:55am on August 1st, 2020
Updated as per VisD's notes.
A new chart file was uploaded with the following changes:
----------
Note Count changed: 757 => 774
AVG NPS changed: 4.66037 => 4.76503
Hand Bias changed: 19 => 18
Posted at 9:04pm on August 15th, 2020
13.408-26.741 I think this section could be very confusing to a casual player, to be honest. The clear foreground melody is being ignored for a very sporadic sound - that further has minijacks to adjacent notes from that instrument, when (while technically correct) those notes have their relative pitch muddied and prominence diminished by everything else that is louder than them: the claps and other percussion, the foreground melody. It genuinely took me like 3-4 times replaying this section just to vibe with the current setup during a 100% playthrough.
36.471 this is so good aaa
53.408 given the 16th stream just above this bit feels kind of underwhelming. Would consider jumps on the 4th...the music here is arguably even more intense than the preceding stream
but 1/2 the density. I'm sure you already considered this, but consider again lol. At the very least, the snare hits at places like 54.241 and 54.866, which you put jumps to when colliding with violin earlier.
1.00.875 consider moving preceding 4th jumps to [12] or [23] for a clearer visual distinction between their big, punchy percussion and this high-pitched guitar note here
1.04.075 this works better!
2.12.475 move this off [14] to accommodate the pr on violin?
Simple and effective. The beginning is my biggest gripe, but everything after plays instantly intuitively.