Scarlet Mask :: FFR Batch Submission
bmah -
Scarlet Mask -
eoll & NOSUKE [7.5 / 10]
Easy Files
PublicPurchasedEvents
Released
Simfile Folder Name
Scarlet Mask (bmah)
Note Count
562
Chart Length
1:46
Average NPS
5.5297
Estimated Difficulty
35.5
First Note
0:04
Ending Note Delay
0:01
Hand Bias
Framers
0 - 0
1 - 0
2 - 0
3 - 0
4 - 0
Jumps
Hands
Quads
Color Jumps
Color Hands
Color Quads
Most notes in:
1/3 of a Second
6 - 18.00 nps
0.5 Seconds
8 - 16.00 nps
1 Second
12 - 12.00 nps
2 Seconds
20 - 10.00 nps
5 Seconds
39 - 7.80 nps
10 Seconds
66 - 6.60 nps
30 Seconds
188 - 6.27 nps
1 Minute
357 - 5.95 nps
Color Count
Largest Note Gaps
1.6s1.6s1.4s1s0.8s0.8s0.8s0.8s
Posted at 12:39pm on October 16th, 2020
Scarlet Mask (bmah) [7.5/10]
> Permission check good.
> Sync is more or less fine for the beginning, but starting at 00:27.220, it’s off. (Syncs at -1.625 Music Offset, currently at -1.620, so -0.005ms off). No changes necessary, but notes for this judgment will be based on the -1.625 Music Offset sync.
> No issues found within simfile properties.
> ‘.dwi’ file found within submission folder contents. Suggest removing. No other issues found within submission folder contents.
-[00:12.325] Was hoping for a jump on this 16th considering the previous 16th for guitar also got a jump.
-[00:25.125] Close enough.
-[00:27.025] Personally think the 8th here should get filled in. There’s more quieter iterations of 8ths like these getting filled earlier in this section.
-[00:40.025] Ehh, not a massive fan of the additive layering going on regarding jumps on 4ths in this section. Makes for a confusing structure on a first glance standpoint imo.
-[01:25.425] Not utilizing the vocal pitch change 8th here? Happens again at 01:28.625 with the pronunciation of su-n-de where n is getting silenced chart-wise.
-Not my cup of tea, but it works for an easy chart. I enjoy the variance in the intro and in the break 2/3rds in.
Posted at 1:08am on October 25th, 2020
Sync fixed, even though you said I didn't need to.
[00:12.325]: Ah yeah I can see how you're interpreting certain guitar strums as being jumps-only. My interpretation was purely based on layering. That can work as well though. I'm going to not do this though, because then it would mean the subsequent single 8th note would also have to be a jump, then also the following string of single up arrows as well.
[00:27.025]: I was aiming for the "grand introduction" of this song :p. I'm not here to fill in gaps.
[00:40.025]: Bit surprised at your opinion on this; I thought the layering is crystal clear. The song structure is pretty simple too, with jumps always going to loud alternating snare/percussion. This song's layering scheme is overall super simple IMO.
[01:25.425]: I don't really hear the vocals changing...but I think you're hearing 8th note guitar strums filling those areas in. Actually, that sounds like a decent idea, I'm going to try that out.
edit: This didn't turn out to be a great idea in the end, as the strumming is actually more prominent than initially anticipated, and it's now muddying up the layering. Nope.
tl;dr only sync fixed in the end