sliCE youR soUL (DossarLX ODI) - 6/10
Offset is incorrect by 23ms (should be -3.505), timestamps given are ones with the new offset applied.

Would honestly prefer a cut in the intro because there's a lot of downtime in this chart. I get that it's meant to create some dissonance in the player by deliberately flouting PR for the vocals, but I don't think it's necessary to expound that point for about 25 seconds overall.

* 28.387 to 33.828 - don’t really agree with the gallops as a buildup, mostly because there aren’t any notable cues that would justify gallops. I somewhat get when the stream starts on an intuitive level, but the gallops I’ve definitely had issues grasping for sure
- 44.932 - shouldn't be a single
- 46.638 - missing 16th?
- 53.653 - can't really hear anything that would justify a 16th
- 54.133/etc. - I'd remove the 32nd here, there is a faint sound here, but I personally wouldn't include it
- 56.927 to 57.045 - the 16ths here don't seem as shrill as the 5-note 16ths before them, so I'm not sure if you should include them here
- 1:03.927/1:03.339 - the minijacks make some sense because they go to the vocals, but the vocal staggers aren't very notable, and I wouldn't include them as minijacks because of that. the minijacks make more sense later on in the song, but the ones here feel a bit on the heavy side, when the chart is actually quite light in comparison up to this point. in contrast, the minijack at 1:06.515 and maybe 1:08.398 seems fine, since it's not being overwhelmed by other percussion
* 1:17.810/1:18.515/1:19.221 - kinda mean to have anchors only on column 1 and column 4 respectively, I'd suggest varying up the column bias because it feels really uneven as is, especially since it's dissonant compared to the vocals present here (though the dissonance is somewhat intentional -- it's more jarring here than with the 48ths though)
- 1:49.801 - lmao this is really funny. I personally don't mind this pattern much, but you're basically hitting a 4-note 12th jack on column 1 and there's already a lot of strain on column 1 as is. I don't know how much you can change this because the chart is very deliberately structured, but I think some lenience can be allowed if patterns spike too much
- 1:59.272 - ghost note? or at least it's muddled too much by the percussion to layer
* 2:02.997 to 2:07.487 - this is a bit much. I can hit this section kinda fluently, but it does feel like a notable spike compared to the rest of the chart (including 1:49.801, which the second half of what I've pointed out is basically that multipled by 6), and I think it'd be really frustrating for players to hit through. There are ways of toning this down that you likely already know (like alternating hands across 4 columns instead of what you have), but I think it goes against your chart's intentions in some way. I'd still point it out regardless because this will be a point of frustration for players
- 2:10.980 to 2:11.392 - I like the idea of the burst at the end tbh, but I don't think trills are the right pattern to do it; trills are quite sharp in terms of pattern feel, and this sound is quite airy in comparison

I kinda appreciate this chart in a really twisted sense; the chart is structured in a very deliberate way that I've practically never seen before, and I can see people finding some novelty in this approach, but in general, I feel that this chart might be a bit too frustrating and gimmicky overall for higher-level players to enjoy. The one-hand trilly patterns are a bit much overall, though it's mitigated by the fact that most of it is present on one hand (so it's mirrorable), but the minijacks and runningmen as a whole I do feel are a bit excessive in terms of how they're patterned, and I think the song just doesn't fit for a very balanced difficulty curve and overall enjoyable experience. The chart is definitely different though, and I can see what you're doing for the most part, so kudos to that -- I just don't think it would appeal much to the modern FFR player's palate and certainly not for official tournaments.