GOD of MADNESS :: FFR Batch Submission
Ultimate Mike7 - GOD of MADNESS - sHimaU [6 / 10]
May/June 2021
PublicTokenEvents
Rejected
https://www.flashflashrevolution.com/vbz/showpost.php?p=4273002&postcount=3
Time for a big boi Mike file. How convientent that this is my 7th submission too.

ShiMau blanket perms.

EDIT: Holy mother of bad conversion.

Simfile Folder Name

God of Madness (Ultimate Mike7)

Note Count

2061

Chart Length

2:41

Average NPS

13.3889

Estimated Difficulty

99.34

First Note

0:07

Ending Note Delay

0:01

Hand Bias

x 3

Framers

0 - 0 1 - 18 2 - 52 3 - 220 4 - 399

Jumps

x 533

Hands

x 80

Quads

x 0

Color Jumps

x 4

Color Hands

x 1

Color Quads

x 0

Most notes in:

1/3 of a Second
12 - 36.00 nps 0.5 Seconds
17 - 34.00 nps 1 Second
29 - 29.00 nps 2 Seconds
49 - 24.50 nps 5 Seconds
99 - 19.80 nps 10 Seconds
183 - 18.30 nps 30 Seconds
509 - 16.97 nps 1 Minute
978 - 16.30 nps

Color Count

x 941 (45.66%)
x 604 (29.31%)
x 57 (2.77%)
x 316 (15.33%)
x 57 (2.77%)
x 22 (1.07%)
x 14 (0.68%)
x 4 (0.19%)
x 46 (2.23%)

Largest Note Gaps

4.8s2.73s2.7s1.63s1.03s0.53s0.5s0.5s
35
28
21
14
7

God of Madness (Ultimate Mike7) [6.0/10]
> Permission check good.
> Sync looks good (No changes necessary).
> No issues found within simfile properties.
> No issues found within submission folder contents.
> Appreciate the context funny in file naming within this folder, but maybe swap the mp3 name and the .sm name around, generally want to keep the mp3 name as the actual song name.

-This beginning of the file is exceptionally long, and feels like it could’ve used a cut in some capacity, given the true difficulty of this file.

-Problem straight out of the gate with this file, being at 250bpm, there will be quite a few minijack 1-framer conversions with how 16ths are placed here.

-[00:40.561 -> 00:40.681] These 16ths don’t really exist, they’re mostly there for pattern glue between the jump & the minitrill.

-[00:41.701] 16ths here probably more suited for the 24th patterning that was utilized earlier for these kinds of bursts.

-[00:43.561/00:48.241] Missing 16th.

-[00:59.461] Personally think that this pattern would be more suitable for this part rather than what is used at 00:55.861. Either way, both of these patterns should be the same.

-[01:00.661] Is this burst not the same as the above note? Which to use, 24ths, or split 32nds? Need some clarification of what is the established pattern that is utilized for these kinds of bursts, and file it down to that one kind for consistency.

-[01:05.621] 12th here does not exist. Jump lands on the 8th.

-[01:07.021] minitrill here is absolutely repulsive given the [12] minijack going into it, and then it gets yet another 2-frame jack directly after it. Change it up into some normal 24th stream, take the stress off the left hand.

-[01:10.981] My 2 cents, This [12] 4th jump is the same pitch and attack as the previous [23] 4th jump. They should theoretically be the same jump, so [23] - [14][23] would be a better PR approach here. Repeat at 01:26.341.

-[02:22.921] This 32nd minitrill needs to go.

-[02:26.461] This 24th stream starts on the 4th, not the 8th. There is a jump on the 8th here, and no 24ths until the next following 4th on right column.

-Needs a fair amount of polish. And even then, It’s very scary to see something like this accepted because of the amount of 1-framers that could be involved, and usually that sort of work does not get put into a regular release song unless it’s part of a tournament. Would suggest cleaning it up, and then submitting into an Official Tournament batch, or submit it flagged as an OT submission / Only for OT use.