An appeal was requested and the file was looked over by TC_Halogen, here are his notes:

-Intro is sorta repetitive pattern-wise, can definitely take advantage of Pitch Relevance here to change/utilize alternative columns to spice up this section.

While I understand the reasoning behind making this note, the issue with it is that it implies pointing to something in structure that is tonal, when what’s being followed is entirely atonal; it’s very clearly kicks on 1, snares on 4, and hi-hat alternations down the center. Repetition could be avoided by changing the patterning itself but pushing the structural motif towards pitch when it’s making a very deliberate choice to not follow isn’t a fair note to make.

-[00:21.258] Gonna straight up address the 64th utilization to vocals here. They are pretty much there for difficulty curbing, full stop. This is breakcore, there’s a lot happening instrumentally in the backgrounds here, but it kinda does the file injustice to ignore instruments specifically for vocals here and elsewhere in the file, and then inflate the difficulty of the vocals. I’m not saying it doesn’t work, in some sections like [00:23.808] and [00:35.208] they’re relatively tame and not much else is happening with them. But at [02:34.008] & [02:39.558], you are replacing full measures with this type of difficulty inflation specifically following vocal usage, and it plainly doesn’t fit the chart.

Whether or not it fits is a subjective decision: it has a very clear intent in what it is doing, and it’s not doing anything to really spike the difficulty beyond what’s already played throughout the file.

-[01:01.608] If you only do vocals for this section, why is this 4th a jump (drum+guitar, not vocals)? What about the 8th at [01:02.058] (only guitar, no drum or vocals)? No jump at 01:02.508? That is the same 4th jump as the introductory jump to this section at [00:57.708], and no associated jumps for those at [01:00.858 & 01:01.008], sections like these are pretty wildly inconsistent at what the jumps are going to, despite focus being specifically on vocals. If you’re swapping between the two when vocals are taking a break, there’s quite a few missing jumps here that need to be filled in.

Vocals are the primary focus of layering here; however, when the vocals are no longer playing, the chart leverages the power guitar to stack layering. There is a noticeable mistake at 1:02.958, where a jump is misplaced for the vocal (the couplet of jumps is an 8th early).

-[01:04.795] If this 32nd is vocal emphasis, it should probably be removed.
I do agree with this note, actually. There are other instances of 32nds that go to something tangible and makes this a bit more erroneous.

-[01:07.008] Feels like there’s a pair of [12] jumps missing here given layering happening in this section so far.
There’s no instances of kicks or anything to merit jumps here; the two jumps to start the very beginning of this section are a kick before this layering structure is defined, and a cymbal crash, which is appropriate.

-[01:08.808] Missing 4th jump (vocals).
This is correct.

-[01:11.020] Missing 32nd. (Same with 02:08.620)
This is also correct.

-[01:16.908] These sections are good (outside the vocal dumping).

-[01:55.308] This section suffers most of the same issue that timestamp [01:01.608] does. (See: [02:00.108], [02:00.408], [02:05.208])

-[02:09.708] Section here is also fine (aside from vocal dumping).

-[02:36.108] Not sure what the 48ths in the right column are going to here?
There’s a brief shout that’s given coloring here; if you give a look at the interval, it’s done specifically for that while also keeping it to five notes for a beat as well.

-Needs quite a bit of work. Initially on first viewing I thought it’s probably just the vocal difficulty inflating at fault, but there’s some jump/pattern inconsistencies as well that vary from section to section.

Very much disagree with the quite a bit of work notion here; this structure is pretty generally explicit and the issues are quite minor beyond subjective structural interpretations involving screams and a layering motif. Recommending this be changed from a rejected to accepted status.