35
28
21
14
7
Americanized :: FFR Batch Submission
ositzxz369 -
Americanized -
Venetian Snares [5 / 10]
Feb/March 2021
PublicPurchasedSecretEvents
Rejected
I'm definitely gon need some guidance on this VS file. Venetian Snares - is in the "Permissions List and Information v8" thread.
Simfile Folder Name
Americanized (ositzxz369)Note Count
4132Chart Length
5:29Average NPS
12.7715Estimated Difficulty
97.64
First Note
0:05Ending Note Delay
0:01Hand Bias
x 16
Framers
0 - 0 1 - 0 2 - 5 3 - 38 4 - 1302Jumps
x 1015
Hands
x 103
Quads
x 0
Color Jumps
x 67
Color Hands
x 76
Color Quads
x 0
Most notes in:
1/3 of a Second11 - 33.00 nps 0.5 Seconds
16 - 32.00 nps 1 Second
27 - 27.00 nps 2 Seconds
52 - 26.00 nps 5 Seconds
130 - 26.00 nps 10 Seconds
232 - 23.20 nps 30 Seconds
631 - 21.03 nps 1 Minute
1096 - 18.27 nps
Color Count
x 1590 (38.48%)
x 1223 (29.6%)
x 9 (0.22%)
x 794 (19.22%)
x 8 (0.19%)
x 139 (3.36%)
x 2 (0.05%)
x 8 (0.19%)
x 359 (8.69%)
Posted at 9:24pm on August 30th, 2021
Americanized (ositzxz369) [5.0/10]
> Permission check good.
> Sync looks good (No changes necessary).
> No issues found within simfile properties.
> No issues found within submission folder contents.
-[00:23.691] Maybe not in the same column as the 4th? They don’t really share much in terms of PR. Same with [00:44.874] and [00:46.191] since these are ‘P’ sound vocalizations in contrast to ‘A’ right after. If it were my call, I would just cut them completely since they’re not part of the syllable.
-[01:02.274] 32nd? Why not triplet 16ths from 01:02.240 up to the [13] jump? Pattern is here as well as many parts prior to this section.
-[01:11.080] This vocal roll is lol.
-[01:17.542] About a 32nd off. It’s the 16th at [01:17.575].
-[01:47.107 -> 01:59.428] This section is a big nope from me, buckaroo. I don’t mind the jumps thrown into these arbitrarily anchored jump sections, but adding vocals that are both on & off the hand that is accompanying the anchor is absolutely brutal for difficulty, and it does this throughout the section pretty regularly and sporadically. Would either need the vocal notes removed or moved to jumps of the same color.
-[02:39.673] Really wish there was some sort of jump here in pairing with the 4th, since it really stands out.
-[03:09.339/03:10.276/03:11.214/03:13.089/03:25.276/03:29.026/03:32.776/etc.] Jumps here? I get they’re not the same as their brethren jumps, but it’s a level of pattern consistency until it reaches the 4ths. Just a thought, like at 03:18.714.
-[03:49.785 -> 04:01.973] Yeahhhhhhhhhh, no. This is way too large of a difficulty jump for the file for how long it is, mostly in-part due to the hands involved in this section, and the extended one-handed trills behind the hands. Also, there’s a fair amount of reading comprehension that gets put to its limit while handling this section, because in some places the 192nds are in-time with other jumps, and other times they are not, since they are on 16ths, making this exceptionally difficult to read (As a D7 player, I could not fathom of AAAing this).
-[04:34.785] See note at 01:47.107, essentially the same thing applies. This is an absolute nightmare to play.
-[05:12.285] Most of this current section is fine with trills localized to both hands, but as soon as the trill gets localized to one hand, that is a major oof given how long these trills are.
-Overall, file is not really a good fit as-is. Nothing much wrong PR-wise & missing note-wise, but specifically how vocal 192nds are layered and how trills on one hand are managed jack the difficulty of the file wildly between sections, and over 5 minutes, it is pretty daunting/not fun to play in its current state. My suggestion would be to probably cut the song at [02:19.517], and submit them as Part 1, and Part 2 respectively. Part 1 does not see much of a difficulty spike except for vocals mixed with anchoring that causes some huge readability/playability problems at 01:47.107. Where-as Part 2, is significantly harder with the jumpanchors at 03:49.785, extended one-hand trills near the end, and multiple sections involving vocals mixed with anchors.